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(1089, 366, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carrol</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry:<a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is a growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen” .While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1107, 372, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carrol</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\n    <p>Note: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided\r\n        in the Wikipedia entry:\r\n        <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">\r\n    </p>\r\n    <p>https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a> This website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is a growing confusion surrounding work of art by artists commonly\r\n        identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen” .While there are many beautiful paintings in the market, and many\r\n        great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.</p>\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1117, 375, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carrol</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\r\n\r\n&nbsp;\r\n\r\nhttps://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists) This website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is a growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen” .While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1125, 376, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carrol</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\n&nbsp;\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is a growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen” .While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1463, 492, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\n\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1508, 507, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<img src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-506\" />\r\n\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\n\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1510, 508, 'banner', '14'),
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(1512, 508, 'title', ' The Highwaymen Collector'),
(1513, 508, '_title', 'field_626930a620654'),
(1514, 508, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
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(1516, 508, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<img src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\n\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
(1517, 508, '_content', 'field_626930b820656'),
(1518, 509, 'banner', '14'),
(1519, 509, '_banner', 'field_6269309620653'),
(1520, 509, 'title', ' The Highwaymen Collector'),
(1521, 509, '_title', 'field_626930a620654'),
(1522, 509, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1523, 509, '_subtitle', 'field_626930b020655'),
(1524, 509, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<img class=\"alignnone size-thumbnail wp-image-506\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c-150x150.jpeg\" alt=\"\" width=\"150\" height=\"150\" />\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
(1525, 509, '_content', 'field_626930b820656'),
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(1528, 510, 'title', ' The Highwaymen Collector'),
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(1530, 510, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1531, 510, '_subtitle', 'field_626930b020655'),
(1532, 510, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignnone size-full wp-image-506\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c.jpeg\" alt=\"\" width=\"500\" height=\"333\" />\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1534, 511, 'banner', '14'),
(1535, 511, '_banner', 'field_6269309620653'),
(1536, 511, 'title', ' The Highwaymen Collector'),
(1537, 511, '_title', 'field_626930a620654'),
(1538, 511, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1539, 511, '_subtitle', 'field_626930b020655'),
(1540, 511, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n&nbsp;\r\n\r\n<img class=\"size-full wp-image-506 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c.jpeg\" alt=\"\" style=\"500px!important;\" width=\"500\" height=\"333\" />\r\n\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
(1541, 511, '_content', 'field_626930b820656'),
(1542, 512, 'banner', '14'),
(1543, 512, '_banner', 'field_6269309620653'),
(1544, 512, 'title', ' The Highwaymen Collector'),
(1545, 512, '_title', 'field_626930a620654'),
(1546, 512, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1547, 512, '_subtitle', 'field_626930b020655'),
(1548, 512, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n&nbsp;\r\n\r\n<img class=\"size-full wp-image-506 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/332DB943-8BD6-47EA-A3E4-1E7EEF1C6B2C_4_5005_c.jpeg\" alt=\"\" style=\"500px!important;\"/>\r\n\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1556, 514, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1557, 514, '_subtitle', 'field_626930b020655'),
(1558, 514, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<img class=\"size-full wp-image-513 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/hme-img.jpg\" alt=\"\" width=\"500\" height=\"333\" />\r\n\r\n&nbsp;\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
(1559, 514, '_content', 'field_626930b820656'),
(1560, 515, 'banner', '14'),
(1561, 515, '_banner', 'field_6269309620653'),
(1562, 515, 'title', ' The Highwaymen Collector'),
(1563, 515, '_title', 'field_626930a620654'),
(1564, 515, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1565, 515, '_subtitle', 'field_626930b020655'),
(1566, 515, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n\r\n<img class=\"size-full wp-image-513 aligncenter img-home\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/hme-img.jpg\" alt=\"\"  />\r\n\r\n&nbsp;\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1572, 518, 'title', ' The Highwaymen Collector'),
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(1576, 518, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n<span class=\"img-home\">\r\n<img class=\"size-full wp-image-513 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/hme-img.jpg\" alt=\"\" />\r\n</span>\r\n&nbsp;\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1583, 523, 'banner', '14'),
(1584, 523, '_banner', 'field_6269309620653'),
(1585, 523, 'title', ' The Highwaymen Collector'),
(1586, 523, '_title', 'field_626930a620654'),
(1587, 523, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1588, 523, '_subtitle', 'field_626930b020655'),
(1589, 523, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n<div class=\"img-home\">\r\n<img class=\"size-full wp-image-513 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/hme-img.jpg\" alt=\"\" />\r\n</div>\r\n&nbsp;\r\n<h4>The Last Great Art Movement of the 20th Centur</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(1595, 528, 'banner', '14'),
(1596, 528, '_banner', 'field_6269309620653'),
(1597, 528, 'title', ' The Highwaymen Collector'),
(1598, 528, '_title', 'field_626930a620654'),
(1599, 528, 'subtitle', 'A comprehensive resource for Highwaymen Art Collectors'),
(1600, 528, '_subtitle', 'field_626930b020655'),
(1601, 528, 'content', 'This website includes up-to-date Highwaymen news, a growing library of in-depth blogs and original research on the Highwaymen artists, valuable art pricing guidelines and pricing trends, conservation issues and services related to Highwaymen paintings, as well as a high quality group of paintings always for sale.\r\n\r\nAll of the information on this website is openly available at no charge.  However, some information (individual artist pricing guides, and historical blogs) do require a free website registration. This registration may be completed on either the blog or pricing pages.  Once registered, all information on this website is always provided at no charge.\r\n\r\nThe Highwaymen Collector website focusses only on the 26 Highwaymen artists, as defined by the Florida Artists Hall of Fame (“FHOF”) in 2004.\r\n<div class=\"img-home\"><img class=\"size-full wp-image-513 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/09/hme-img.jpg\" alt=\"\" /></div>\r\n&nbsp;\r\n<h4 style=\"text-align: center;\">The Last Great Art Movement of the 20th Century</h4>\r\nIn the l960s, a group of young, Black Americans barely out of high school, taught themselves to paint as a way to earn a decent living and escape the underpaid labor in the citrus groves and packinghouses of the segregated, Jim Crow South. With no money for proper supplies, they painted using left-over construction material called Upson board, house paint and frames made from pieces of floor molding and scrap wood. To have enough paintings to sell, they painted quickly, creating a distinctive, colorful style that captured the stormy clouds, windy waves, quiet marshes and deserted beaches of a still undeveloped Florida.\r\n\r\nTraveling up and down Central Florida\'s highways, they hawked their paintings from the backs of cars for around $20 to $40 each. They sold to roadside motels, banks, doctor\'s offices and tourists, producing over 200,000 pieces. Because of their \"outsider\" status, they never received the recognition and respect from the arts community they deserved, but always yearned to be called \"artists.\"\r\n\r\nTheir long journey to cultural respect began in the early 1990s when a curator and art journalist discovered their work in flea markets, antique shops and garage sales. Upon learning how their art was originally produced and sold, he named them \"The Highwaymen.\"\r\n\r\nThe Highwaymen initially painted to escape poverty, and today their art adorns the walls of respected museums, governor mansions...and even the White House. Collectors now pay in excess of $50,000 for these cherished works. After the ravages and fortune of friendships, jealousy, murder, hope and triumph, The Highwaymen have become an integral part of art history.\r\n\r\nOf the 26 Highwaymen artists, nine are considered \"original\" (or the earliest) Highwaymen:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Al Black</li>\r\n 	<li class=\"mylist\">Mary Ann Carroll</li>\r\n 	<li class=\"mylist\">Willie Daniels</li>\r\n 	<li class=\"mylist\">James Gibson</li>\r\n 	<li class=\"mylist\">Alfred Hair</li>\r\n 	<li class=\"mylist\">Roy McLendon</li>\r\n 	<li class=\"mylist\">Harold Newton</li>\r\n 	<li class=\"mylist\">Sam Newton</li>\r\n 	<li class=\"mylist\">Livingston Roberts</li>\r\n</ul>\r\n</div>\r\n</div>\r\n</div>\r\nThe additional 17 Highwaymen artists include:\r\n<div class=\"artistName\">\r\n<div class=\"container\">\r\n<div class=\"artist\">\r\n<ul>\r\n 	<li class=\"mylist\">Curtis Arnett</li>\r\n 	<li class=\"mylist\">Hezekiah Baker</li>\r\n 	<li class=\"mylist\">Ellis Buckner</li>\r\n 	<li class=\"mylist\">George Buckner</li>\r\n 	<li class=\"mylist\">Robert Butler</li>\r\n 	<li class=\"mylist\">Johnny Daniels</li>\r\n 	<li class=\"mylist\">Rodney Demps</li>\r\n 	<li class=\"mylist\">Isaac Knight</li>\r\n 	<li class=\"mylist\">Robert Lewis</li>\r\n 	<li class=\"mylist\">John Maynor</li>\r\n 	<li class=\"mylist\">Alfonso Moran</li>\r\n 	<li class=\"mylist\">Lemuel Newton</li>\r\n 	<li class=\"mylist\">Willie Reagan</li>\r\n 	<li class=\"mylist\">Cornell “Pete” Smith</li>\r\n 	<li class=\"mylist\">Charles Walker</li>\r\n 	<li class=\"mylist\">Sylvester Wells</li>\r\n 	<li class=\"mylist\">Charles “Chico” Wheeler</li>\r\n</ul>\r\nNote: This website does not attempt to review or discuss the basic background and history of The Highwaymen, which is covered in abundance on numerous Highwaymen websites. Such basic background on the Highwaymen are clearly and concisely provided in the Wikipedia entry: <a href=\"https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)\">https://en.wikipedia.org/wiki/The_Highwaymen_(landscape_artists)</a>\r\n\r\nThis website only addresses the 26 Highwaymen artists as acknowledged by the Florida Artists Hall of Fame.  There is  growing confusion surrounding work of art by artists commonly identified as “Highwaymen Style”, “Highwaymen-Like”, “Highwaymen Inspired”, etc., and those artists related to the Highwaymen, often referred to as “Second Generation Highwaymen”. While there are many beautiful paintings in the market, and many great Florida artists, this website will remain strictly focussed on the original group of 26 Highwaymen.\r\n\r\n</div>\r\n</div>\r\n</div>'),
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(190, 1, '2022-08-04 05:19:36', '2022-08-04 05:19:36', '<h1 style=\"color: #cab43c; font-size: 2.0rem !important;\">A Guide to Acquiring and Treasuring the Art of the Florida Highwaymen</h1>\r\n<div style=\"color: red; margin-bottom: 5px;\">This blog has been written and contributed by <strong>Dale A. Brill, Ph.D. (Group founder and administrator of the facebook group: Florida Highwaymen)</strong>. It is with great appreciation to Dale Brill that we use this work as the inaugural blog in the launch of this website.</div>\r\n<div style=\"color: white; text-align: justify;\">\r\n<div style=\"margin-bottom: 5px;\">With the growth of Florida Highwaymen enthusiasts showing no signs of slowing, a guide to the landscape of the journey seems worthwhile. It is offered with the hope of generating contributions from others with different and deeper insights—even contradiction. This chapter, like the others, is a <i>work-in-progress</i> to be improved by the comments and adaptations driven by changes in the natural evolution of the Florida Highwaymen experience.</div>\r\n<div style=\"margin-bottom: 5px;\">Consider this just one perspective among many possible takes. Word choice throughout the guide attempts to remind readers of the uniqueness of every Highwaymen painting acquisition. The use of “may,” “tend to,” and “often” signal generalizations not rules. Without exception, every interaction is different. Yours will be, too.</div>\r\n<h3>“MARKET VALUE AND PRICES”</h3>\r\n<div><i>Bottom line: A painting is worth what someone is willing to pay for it</i>. That said, the value assigned to a painting is generally based on a calculus of several variables with two factors perhaps the most influential: recent sales prices and expected future demand.</div>\r\n<div>Auction houses represent an easy opportunity to evaluate recent sales prices. Visit an auction house’s website and find their link to “Past Auctions.” From there you can evaluate recent “gavel prices,” which does not include the auctioneer’s premium or taxes. The premium is the auctioneer’s sales commission, ranging from 20% to 28%. Then add 7.5% taxes for state and local taxes (which vary by geography, of course).</div>\r\n<div>Example: I “won” a Sam Newton painting at auction for $2,400. I ended up paying $3,096. The auctioneer’s 20% premium added $480. Taxes of 7.5% added $216.</div>\r\n<div>What is the market value? Despite a gavel price (winning bid) of $2,400, the painting is “worth” (to me) $3,096.</div>\r\n<div>In the example above, my experience and data analysis prior to the auction aligned with the auctioneer’s estimated or projected price which appears on the website. It seemed reasonable to expect the market value of the painting to fall between $2,000 and $4,000. That is a big range against which a painting can fall short or greatly exceed.</div>\r\n<div>Calculations of “market value” can be influenced by several factors:</div>\r\n<ol>\r\n 	<li>\r\n<div><u>The Artist</u></div>\r\n<ol type=\"A\">\r\n 	<li>\r\n<div><i>Demand &amp; Supply.</i> Although there is no certainty about the number of Highwaymen paintings produced (estimates have ranged from 200,000 or more), readers exposed to the economic theory of supply and demand should recognize the impact that perceived scarcity—and other mental gymnastics—can have on prices.</div>\r\n<div>Livingston Roberts passed in 2004. Compared to the few remaining Highwaymen still painting, supply of his work is clearly limited. However, the “living or dead” criterion is but one factor. Another may be the length of time the artist painted, such as Poncho Moran who stopped painting early to follow the allure of being a professional gambler. As a result, the price of his paintings can rival Harold Newton but not from the perspective of artistry.</div></li>\r\n 	<li>\r\n<div><i>Demonstration of talent.</i> Not every painting reflects the artist’s best effort. The Highwaymen story is multidimensional, including the practical role of making money for the artists. The more they painted, the more they made. Paintings that are viewed as representing the artist’s full capabilities will command higher prices that may have been produced in a hurry to capture the opportunity represented by immediate demand from the tourist traffic during season.</div></li>\r\n 	<li>\r\n<div><i>Style.</i> Very similar to “demonstration of talent,” prices for Harold Newton’s paintings reflect, to a great degree, the degree of complexity and mastery demonstrated in his paintings. His work now typically requires investments of $10,000 or more. In contrast, Rodney Demps’ style is just now breaking the $1,000 threshold for exceptional pieces and less than $750 for direct purchases his more traditional work. Demps’ style, which might earn him the moniker “Dali of the Highwaymen,” appears at times crude in contrast to Harold Newton’s realism. Critics may conclude Demps had less talent than Harold Newton while fans may prefer to conclude that he simply saw Florida through a very different lens and it translated accordingly through his paintings.</div></li>\r\n</ol>\r\n</li>\r\n 	<li>\r\n<div><u>Scene.</u> Paintings featuring poincianas might be considered the quintessential Highwaymen scene. After several hundred, you start to see the common themes featured across all 26 painters: Rio Mar, River Road, River Inlets, etc. Within a painter’s portfolio, there will be scenes that are featured more than others. For example, Al Black’s work features three birds in flight for the Trinity (although older pieces do not seem bound by this trademark element). Willie Daniels has produced many river/inlet scenes, each with skeletal dock pilings emerging from the shore. Demand for a scene that diverges from those typically associated with an artist often command higher prices. A Willie Daniels piece that features other components, such as a building or person, can be attractive to collectors looking for variation it creates.</div></li>\r\n 	<li>\r\n<div><u>Size.</u> Jumbo or larger pieces (e.g., 24 x 48) command more than smaller pieces (e.g., 16 x 20) generally as the greater space tends to impact the complexity of the work and featured scenes depicted.</div>\r\n<div>One Florida Highwaymen collector has speculated value (sales price) using a standard calculation based on the surface area of the painting. Example: a 16 x 20 painting by Harold Newton would have a surface area of 320 square inches. At a calculated value per square inch of $17.00, the painting would be worth $5,440. Such an approach as this, of course, would need to reflect trends in sales over time to adjust the “value per square inch” and take into consideration the subjective factors addressed elsewhere in this guide.</div></li>\r\n 	<li>\r\n<div><u>Medium.</u> The quintessential media associated with Highwaymen paintings are Upson and Masonite board found on construction sites and the local lumber yard. In fact, painting on Upson is considered by expert Kathleen Piowaty Fredrick to be a criterion for inclusion as an Original Highwaymen. Those artists painting in the same style today missed the necessity of Upson and Masonite. Canvas had long been a luxury; as a result, canvas tends to signal the difference between “early” and “later” paintings by the same artist.</div></li>\r\n 	<li>\r\n<div><u>Timing.</u> If buying at auction, note that the prices appear to soften during June – August when the Snowbirds (Northern residents who flock to Florida for the winter) return home. The premise is that the drop in high-tier (read: money) demand softens bidding at auctions; and otherwise puts on hold the buying from local galleries or individuals. My theory suggests that supply then builds up until the late fall return of buyers and the corresponding increase in the frequency of auctions creates the perceived scarcity in March and April. Surely somebody can check me on that.</div>\r\n<div>Another timing dynamic is consistent with any the first rule of negotiation: The side that can live with the answer being “no” has the upper hand: Buyers in a hurry to secure a painting tend to negotiate less and pay more; and sellers in no hurry to part with a piece tend to be better at resisting low offers.</div></li>\r\n 	<li>\r\n<div><u>Source.</u> Although the tide is turning, few are the buyers willing to spend $4,000 or more without personally laying eyes on the painting. This has a general effect of chilling overall demand. Exceptions include transactions from trusted sources, such as the auction houses in Vero Beach and elsewhere in Florida, or sellers with whom a track record of quality are established or willingness to accept returns, which is a recommended criterion for purchasing a painting on eBay.</div>\r\n<div>Galleries tend to demand higher prices than private sellers or dealers with costs such as rent, staff, and utilities. It is not uncommon to see a painting purchased at auction for $2,250 offered weeks later at a gallery for $4,750. Dealers operating out of their homes, vehicles, or eBay often provide opportunity to save money, but the risk can be greater than a gallery with a brick-and-mortar presence with greater exposure to reputation damage if a customer isn’t happy. Finally, private sellers represent the best opportunity for the best pricing. It’s almost too rare to mention now but finding a Highwaymen painting at a thrift store or neighborhood garage sale is not entirely out of the question. A significant source of supply comes from family members who find themselves needing to find homes for pieces from a deceased loved one’s collection. These sellers are highly coveted by auction houses, dealers, and direct buyers alike.</div></li>\r\n 	<li>\r\n<div><u>Motivation.</u> Investors willingness to pay differs from collectors with even greater variation seen among enthusiasts. Investors are motivated to maximize the return on investment--buy low(er), sell high(er). Investors will be more aware of demand and trends in prices with limits tied to the likelihood of getting the targeted profit margin at resale.</div>\r\n<div>Collectors may be in the market to feed their obsession or complement their existing portfolio with work from a missing artist. A unique scene or prevalence of a coveted technique combined with enough disposable income can blow the expected price range out of the water, especially when two collectors are locked on the same piece.</div>\r\n<div>Enthusiasts tend to buy what they love with an eye on the budget. While a jumbo Harold Newton may be out of reach, a smaller piece by another artist becomes a family treasure and conversation piece for years to come.</div></li>\r\n</ol>\r\n<div>All things evolve. Fluctuations in the economy and disruption created by technology integration, such as virtual reality and the metaverse, will surely push the artworld across new horizons. The Florida Highwaymen experience will change with it, and the landscape described in this guide will need to reflect adaptations.</div>\r\n</div>', 'Archive Blog', 'A Guide to Acquiring and Treasuring the Art of the Florida Highwaymen', 'publish', 'open', 'open', '', 'archive-blog-2', '', '', '2022-09-19 08:57:28', '2022-09-19 08:57:28', '', 0, 'https://wp.localserverweb.com/thc/?p=190', 5, 'post', '', 0),
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(193, 1, '2022-10-01 10:21:07', '2022-10-01 10:21:07', '<h3 class=\"coming-s\">Comming Soon</h3>\r\n&nbsp;\r\n\r\n<img class=\"alignnone size-full wp-image-547\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/10/PastedGraphic-3.png\" alt=\"\" width=\"542\" height=\"514\" />\r\n\r\nLorem ipsum dolor sit amet consectetur adipisicing elit. Dolore cum aperiam ex, recusandae non\r\nqui tempore. Quisquam, cupiditate! In suscipit tenetur sit beatae inventore aliquid fugit\r\nexpedita quis totam. Pariatur?\r\n\r\nLorem ipsum dolor sit amet consectetur adipisicing elit. Dolore cum aperiam ex, recusandae non\r\nqui tempore. Quisquam, cupiditate! In suscipit tenetur sit beatae inventore aliquid fugit\r\nexpedita quis totam. Pariatur? Lorem ipsum dolor sit amet consectetur adipisicing elit. Dolore\r\ncum aperiam ex, recusandae non qui tempore. Quisquam, cupiditate! In suscipit tenetur sit beatae\r\ninventore aliquid fugit expedita quis totam. Pariatur? Lorem ipsum dolor sit amet consectetur\r\nadipisicing elit. Dolore cum aperiam ex, recusandae non qui tempore. Quisquam, cupiditate! In\r\nsuscipit tenetur sit beatae inventore aliquid fugit expedita quis totam. Pariatur?', 'Next Blog', 'Understanding and Interpreting The \r\nHighwaymen (HiCo) Pricing Data', 'publish', 'open', 'open', '', 'next-blog', '', '', '2022-09-20 11:34:25', '2022-09-20 11:34:25', '', 0, 'https://wp.localserverweb.com/thc/?p=193', 2, 'post', '', 0),
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(195, 1, '2022-05-31 05:21:07', '2022-05-31 05:21:07', 'Jackson Pollock Drip Painting Expected to Fetch $45 M. at Christie\'s', 'Next Blog', '', 'inherit', 'closed', 'closed', '', '193-revision-v1', '', '', '2022-05-31 05:21:07', '2022-05-31 05:21:07', '', 193, 'https://wp.localserverweb.com/thc/?p=195', 0, 'revision', '', 0),
(196, 1, '2022-07-15 05:22:41', '2022-07-15 05:22:41', '<h1 style=\"color: #cab43c; font-size: 2.0rem !important;\">Rodney Demps, The Surrealist, and Undervalued Highwaymen Artist</h1>\r\n<div style=\"margin-bottom: 5px;\">\r\n\r\nRodney Demps remains one of the more interesting members of the Highwaymen Artists group. While not as “painterly” in a traditional style, as most others in the group, his work captured a unique style, which makes his paintings easily recognizable. His work ranges from “rough” and often undeveloped looking, to paintings that are beautifully sublime. At the same time, his work remains among the lowest priced artwork among all Highwaymen artists. The Highwaymen Collector pricing data shows that all paintings still have an average price of less than $1,000. The most beautiful examples of his work still barely reach $2,000. A quality paining by Demps is likely to outperform the other Highwaymen in terms of value growth.\r\n\r\nBorn in 1953 in Fort Pierce, Florida, Demps attended a public school in St. Lucie County, where he simulated his interest in painting in the fifth grade. Then, he attended Lincoln Park Academy. He was encouraged by his eighth-grade art teacher, Mrs. Zenobia Jefferson, who brought Rodney to meet A.E. Backus, and Rodney became Backus’s art mentee. Later, through Backus, Rodney connected with Alfred Hair, the co-founder of the Florida Highwaymen. Hair initially taught Demps to build frames from crown moldings, and eventually Demps assisted Hair with his own paintings – typically sketching out the skies in Hair’s work.\r\n\r\nDemps eventually transferred to and later graduated from the Fort Pierce Central High School and then attended Florida A&amp;M University where he received a Bachelor of Science in Health, Physical Education and Fitness. After graduation, he entered the United States Marine Corps for two years and got his master’s degree in health education from FAMU. In 2004, he joined the Florida Artists Hall of Fame. He died on June 17, 2020.\r\n\r\nDemps was always a bit different than the other Highwaymen. Unlike the others, he never sold his paintings on the road. Instead, he sold them at home. However, he is associated with the Florida Highwaymen due to his interaction with Bean Backus and Alfred Hair. He learned oil painting techniques from Bean Backus and how to build painting frames and landscapes from Alfred Hair. His artwork is unlike other Highwaymen artists. He is known as the Surrealist in the group.\r\n\r\nHair influenced his early-stage paintings, but he combined his painterly approach to color, light, and movement. His later-stage artworks include murals, collages, and multi-media representations of aspects of his daily life, from the football field to his grandmother’s grocery store.\r\n\r\nHis many landscape paintings, typically combines landscape with surrealism, an artistic movement that allows artists to express the unconscious mind and illogical scenes. For example, in Rainbow Sky (Fig.1), Rodney depicts an oceanside sky and wavy sea with bold and complementary colors of citrus orange blended with robin’s egg blue, buttercup yellow, and lilac. This is not a typical Highwaymen look !\r\n\r\n<center><img class=\"size-medium wp-image-459 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/08/fig-1.jpg\" alt=\"\" width=\"300\" height=\"216\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.1 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Rainbow Sky</span></span></p>\r\n&nbsp;\r\n\r\nIn the foreground, the palm trees are also surrealistic as painted with brushy dollops and cross-hatched by a palette knife. Although the colors and scenes in his painting aren’t realistic, both allow viewers to reflect on nature and make the scene unforgettable. Demps’ work also provide a metaphor for Florida’s summer sunset. In another painting, Demps portrays an abstract Florida wetlands landscape (Fig.2) with the birds flying in a dramatic sky of orange, yellow, blue, and green colors with curving palm trees beneath the sky. The scene is implying the ocean breeze is blowing the palm with great force. This scene lets viewers imagine that the rainy storm ends with palm trees and floras in front of the crashing sea waves.\r\n\r\n<center><img class=\"size-medium wp-image-460 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/08/fig-2-300x200-1.jpg\" alt=\"\" width=\"300\" height=\"200\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.2 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Rainbow Sky</span></span></p>\r\nUnlike other artists who only depict landscapes or include minimal human involvement in the landscape formation in their painting, Rodney Demps shows local residents at work, or only objects in the picture. A popular Demps subject portrays a Washer Woman loading a car with laundry (Fig.3);\r\n\r\n<center><img class=\"size-medium wp-image-461 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-3-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.3</span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\"> Washer Woman loading car with laundry</span></span></p>\r\nanother painting shows several people spending time outside of a boarding house (Fig.4).\r\n\r\n<center><img class=\"size-medium wp-image-462 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-4-300x172.jpg\" alt=\"\" width=\"300\" height=\"172\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.4 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Several people spend time outside of a boarding house</span></span></p>\r\nIn these paintings, architecture is presented in an abstract way that structures are stretched or bent, and windows are stacked like squares. People’s faces are never directly depicted. However, these people are moving, and have action, making them become “real” people. These paintings present a dreamlike quality of abstract architecture and ghostly figures as surrealists typically do.\r\n\r\n<center><img class=\"size-medium wp-image-463 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-5-245x300.jpg\" alt=\"\" width=\"245\" height=\"300\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig. 5 Ocean Sunset</span></span></p>\r\n&nbsp;\r\n\r\n(Figure 5) Ocean Sunset captures the best of the Demps style. A vibrant ocean with a rich yellow sunset reflection – but no sun itself represented in the painting. The foreground is dark, as it is not captured in the sunset light. The contrast heightens the drama in the painting.\r\n\r\n<center><img class=\"alignnone wp-image-470 size-medium\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-6-300x244.jpg\" alt=\"\" width=\"300\" height=\"244\" /></center>\r\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.6 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Eddie\'s Place</span></span></p>\r\nFinally, Demps paints Eddie’s Place (Fig.6) to memorize Alfred Hair’s death. The building is in the center, and there is a view of the person’s back, wearing a red top and white pants. Birds are flying in the sky, and a blooming red Royal Poinciana tree is in the background. These characteristics still follow his unique art style, and the building still stands in Florida to tell the story of the “Highwayman” group.\r\n\r\nRodney Demps is a unique member of the Florida Highwaymen because of his surrealist artwork, different way of selling paintings, and unique life experiences. Although he never taught any students, and none of his family members are painters, his art style is unique and always impresses viewers.\r\n\r\n</div>\r\n<div>\r\n\r\nReferences:\r\n\r\n“Fine Art &amp; Antiques Auction .” Absolute Auctions &amp; Realty, <a href=\"https://aarauctions.com/servlet/Search.do?auctionId=2505&amp;itemId=42081#\" target=\"_blank\" rel=\"noopener\">https://aarauctions.com/servlet/Search.do?auctionId=2505&amp;itemId=42081#.</a>\r\n\r\n“The Original Florida Highwaymen Artist Bios.” Original Florida Hall of Fame Highwaymen, <a href=\"https://originalfloridahalloffamehighwaymen.org/artist-bios/\" target=\"_blank\" rel=\"noopener\">https://originalfloridahalloffamehighwaymen.org/artist-bios/.</a>\r\n\r\n“Rodney Demps .” Florida Highwaymen Paintings, 4 Feb. 2022, <a href=\"https://www.floridahighwaymenpaintings.com/highwaymen/rodney-demps/\" target=\"_blank\" rel=\"noopener\">https://www.floridahighwaymenpaintings.com/highwaymen/rodney-demps/.</a>\r\n\r\n“Rodney Demps 1953-2020 Florida Highwaymen Painting.” LiveAuctioneers, <a href=\"https://www.liveauctioneers.com/item/113543491_rodney-demps-1953-2020-florida-highwaymen-painting\" target=\"_blank\" rel=\"noopener\">https://www.liveauctioneers.com/item/113543491_rodney-demps-1953-2020-florida-highwaymen-painting.</a>\r\n\r\n“Rodney Dyanza Demps\'s Obituary.” Obituary in Fort Pierce at Stone Bros. Funeral Home and Chapel | FL, <a href=\"https://www.articobits.com/obituaries/stone-bros-funeral-home-and-chapel/rodney-dyanza-demps-obituary\" target=\"_blank\" rel=\"noopener\">https://www.articobits.com/obituaries/stone-bros-funeral-home-and-chapel/rodney-dyanza-demps-obituary.</a>\r\n\r\nWeber, Jasmine. “Florida\'s Kaleidoscopic Skies and Windblown Palms, Immortalized by a Cohort of Black Painters.” Hyperallergic, 10 Aug. 2021, <a href=\"https://hyperallergic.com/669196/florida-kaleidoscopic-skies-windblown-palms-immortalized-by-highwaymen-a-cohort-of-black-painters/\" target=\"_blank\" rel=\"noopener\">https://hyperallergic.com/669196/florida-kaleidoscopic-skies-windblown-palms-immortalized-by-highwaymen-a-cohort-of-black-painters/</a>\r\n\r\n</div>', 'Archive Blog', 'Rodney Demps, The Surrealist, and Undervalued Highwaymen Artist', 'publish', 'open', 'open', '', 'archive-blog', '', '', '2022-08-23 09:02:27', '2022-08-23 09:02:27', '', 0, 'https://wp.localserverweb.com/thc/?p=196', 6, 'post', '', 0),
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(215, 1, '2022-08-23 09:02:23', '2022-08-23 09:02:23', '<h1 style=\"color: #cab43c; font-size: 2.0rem !important;\">Rodney Demps, The Surrealist, and Undervalued Highwaymen Artist</h1>\n<div style=\"margin-bottom: 5px;\">\n\nRodney Demps remains one of the more interesting members of the Highwaymen Artists group. While not as “painterly” in a traditional style, as most others in the group, his work captured a unique style, which makes his paintings easily recognizable. His work ranges from “rough” and often undeveloped looking, to paintings that are beautifully sublime. At the same time, his work remains among the lowest priced artwork among all Highwaymen artists. The Highwaymen Collector pricing data shows that all paintings still have an average price of less than $1,000. The most beautiful examples of his work still barely reach $2,000. A quality paining by Demps is likely to outperform the other Highwaymen in terms of value growth.\n\nBorn in 1953 in Fort Pierce, Florida, Demps attended a public school in St. Lucie County, where he simulated his interest in painting in the fifth grade. Then, he attended Lincoln Park Academy. He was encouraged by his eighth-grade art teacher, Mrs. Zenobia Jefferson, who brought Rodney to meet A.E. Backus, and Rodney became Backus’s art mentee. Later, through Backus, Rodney connected with Alfred Hair, the co-founder of the Florida Highwaymen. Hair initially taught Demps to build frames from crown moldings, and eventually Demps assisted Hair with his own paintings – typically sketching out the skies in Hair’s work.\n\nDemps eventually transferred to and later graduated from the Fort Pierce Central High School and then attended Florida A&amp;M University where he received a Bachelor of Science in Health, Physical Education and Fitness. After graduation, he entered the United States Marine Corps for two years and got his master’s degree in health education from FAMU. In 2004, he joined the Florida Artists Hall of Fame. He died on June 17, 2020.\n\nDemps was always a bit different than the other Highwaymen. Unlike the others, he never sold his paintings on the road. Instead, he sold them at home. However, he is associated with the Florida Highwaymen due to his interaction with Bean Backus and Alfred Hair. He learned oil painting techniques from Bean Backus and how to build painting frames and landscapes from Alfred Hair. His artwork is unlike other Highwaymen artists. He is known as the Surrealist in the group.\n\nHair influenced his early-stage paintings, but he combined his painterly approach to color, light, and movement. His later-stage artworks include murals, collages, and multi-media representations of aspects of his daily life, from the football field to his grandmother’s grocery store.\n\nHis many landscape paintings, typically combines landscape with surrealism, an artistic movement that allows artists to express the unconscious mind and illogical scenes. For example, in Rainbow Sky (Fig.1), Rodney depicts an oceanside sky and wavy sea with bold and complementary colors of citrus orange blended with robin’s egg blue, buttercup yellow, and lilac. This is not a typical Highwaymen look !\n\n<center><img class=\"size-medium wp-image-459 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/08/fig-1.jpg\" alt=\"\" width=\"300\" height=\"216\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.1 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Rainbow Sky</span></span></p>\n&nbsp;\n\nIn the foreground, the palm trees are also surrealistic as painted with brushy dollops and cross-hatched by a palette knife. Although the colors and scenes in his painting aren’t realistic, both allow viewers to reflect on nature and make the scene unforgettable. Demps’ work also provide a metaphor for Florida’s summer sunset. In another painting, Demps portrays an abstract Florida wetlands landscape (Fig.2) with the birds flying in a dramatic sky of orange, yellow, blue, and green colors with curving palm trees beneath the sky. The scene is implying the ocean breeze is blowing the palm with great force. This scene lets viewers imagine that the rainy storm ends with palm trees and floras in front of the crashing sea waves.\n\n<center><img class=\"size-medium wp-image-460 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/08/fig-2-300x200-1.jpg\" alt=\"\" width=\"300\" height=\"200\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.2 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Rainbow Sky</span></span></p>\nUnlike other artists who only depict landscapes or include minimal human involvement in the landscape formation in their painting, Rodney Demps shows local residents at work, or only objects in the picture. A popular Demps subject portrays a Washer Woman loading a car with laundry (Fig.3);\n\n<center><img class=\"size-medium wp-image-461 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-3-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.3</span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\"> Washer Woman loading car with laundry</span></span></p>\nanother painting shows several people spending time outside of a boarding house (Fig.4).\n\n<center><img class=\"size-medium wp-image-462 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-4-300x172.jpg\" alt=\"\" width=\"300\" height=\"172\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.4 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Several people spend time outside of a boarding house</span></span></p>\nIn these paintings, architecture is presented in an abstract way that structures are stretched or bent, and windows are stacked like squares. People’s faces are never directly depicted. However, these people are moving, and have action, making them become “real” people. These paintings present a dreamlike quality of abstract architecture and ghostly figures as surrealists typically do.\n\n<center><img class=\"size-medium wp-image-463 aligncenter\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-5-245x300.jpg\" alt=\"\" width=\"245\" height=\"300\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig. 5 Ocean Sunset</span></span></p>\n&nbsp;\n\n(Figure 5) Ocean Sunset captures the best of the Demps style. A vibrant ocean with a rich yellow sunset reflection – but no sun itself represented in the painting. The foreground is dark, as it is not captured in the sunset light. The contrast heightens the drama in the painting.\n\n<center><img class=\"alignnone wp-image-470 size-medium\" src=\"https://wp.localserverweb.com/thc/wp-content/uploads/2022/07/fig-6-300x244.jpg\" alt=\"\" width=\"300\" height=\"244\" /></center>\n<p class=\"western\" style=\"text-align: center;\" align=\"center\"><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Fig.6 </span></span><span style=\"color: #fff;\"><span style=\"font-family: Times New Roman, serif;\">Eddie\'s Place</span></span></p>\nFinally, Demps paints Eddie’s Place (Fig.6) to memorize Alfred Hair’s death. The building is in the center, and there is a view of the person’s back, wearing a red top and white pants. Birds are flying in the sky, and a blooming red Royal Poinciana tree is in the background. These characteristics still follow his unique art style, and the building still stands in Florida to tell the story of the “Highwayman” group.\n\nRodney Demps is a unique member of the Florida Highwaymen because of his surrealist artwork, different way of selling paintings, and unique life experiences. Although he never taught any students, and none of his family members are painters, his art style is unique and always impresses viewers.\n\n</div>\n<div>\n\nReferences:\n\n“Fine Art &amp; Antiques Auction .” Absolute Auctions &amp; Realty, <a href=\"https://aarauctions.com/servlet/Search.do?auctionId=2505&amp;itemId=42081#\" target=\"_blank\" rel=\"noopener\">https://aarauctions.com/servlet/Search.do?auctionId=2505&amp;itemId=42081#.</a>\n\n“The Original Florida Highwaymen Artist Bios.” Original Florida Hall of Fame Highwaymen, <a href=\"https://originalfloridahalloffamehighwaymen.org/artist-bios/\" target=\"_blank\" rel=\"noopener\">https://originalfloridahalloffamehighwaymen.org/artist-bios/.</a>\n\n“Rodney Demps .” Florida Highwaymen Paintings, 4 Feb. 2022, <a href=\"https://www.floridahighwaymenpaintings.com/highwaymen/rodney-demps/\" target=\"_blank\" rel=\"noopener\">https://www.floridahighwaymenpaintings.com/highwaymen/rodney-demps/.</a>\n\n“Rodney Demps 1953-2020 Florida Highwaymen Painting.” LiveAuctioneers, <a href=\"https://www.liveauctioneers.com/item/113543491_rodney-demps-1953-2020-florida-highwaymen-painting\" target=\"_blank\" rel=\"noopener\">https://www.liveauctioneers.com/item/113543491_rodney-demps-1953-2020-florida-highwaymen-painting.</a>\n\n“Rodney Dyanza Demps\'s Obituary.” Obituary in Fort Pierce at Stone Bros. Funeral Home and Chapel | FL, <a href=\"https://www.articobits.com/obituaries/stone-bros-funeral-home-and-chapel/rodney-dyanza-demps-obituary\" target=\"_blank\" rel=\"noopener\">https://www.articobits.com/obituaries/stone-bros-funeral-home-and-chapel/rodney-dyanza-demps-obituary.</a>\n\nWeber, Jasmine. “Florida\'s Kaleidoscopic Skies and Windblown Palms, Immortalized by a Cohort of Black Painters.” Hyperallergic, 10 Aug. 2021, <a href=\"https://hyperallergic.com/669196/florida-kaleidoscopic-skies-windblown-palms-immortalized-by-highwaymen-a-cohort-of-black-painters/\" target=\"_blank\" rel=\"noopener\">https://hyperallergic.com/669196/florida-kaleidoscopic-skies-windblown-palms-immortalized-by-highwaymen-a-cohort-of-black-painters/</a>\n\n</div>', 'Archive Blog', 'Rodney Demps, The Surrealist, and Undervalued Highwaymen Artist', 'inherit', 'closed', 'closed', '', '196-autosave-v1', '', '', '2022-08-23 09:02:23', '2022-08-23 09:02:23', '', 196, 'https://wp.localserverweb.com/thc/?p=215', 0, 'revision', '', 0),
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(340, 1, '2022-07-13 07:39:13', '2022-07-13 07:39:13', '<div style=\"color:red;margin-bottom:5px;\">This blog has been written and contributed by <strong>Dale A. Brill, Ph.D. (Group founder and administrator of the facebook group:  Florida Highwaymen)</strong>. It is with great appreciation to Dale Brill that we use this work as the inaugural blog in the launch of this website.</div>\r\n\r\n<div style=\"margin-bottom:5px;\">With the growth of Florida Highwaymen enthusiasts showing no signs of slowing, a guide to the landscape of the journey seems worthwhile. It is offered with the hope of generating contributions from others with different and deeper insights—even contradiction. This chapter, like the others, is a <i>work-in-progress</i> to be improved by the comments and adaptations driven by changes in the natural evolution of the Florida Highwaymen experience.</div>\r\n\r\n<div style=\"margin-bottom:5px;\">Consider this just one perspective among many possible takes. Word choice throughout the guide attempts to remind readers of the uniqueness of every Highwaymen painting acquisition. The use of “may,” “tend to,” and “often” signal generalizations not rules. Without exception, every interaction is different. Yours will be, too.</div>\r\n\r\n<h3>“MARKET VALUE AND PRICES”</h3>\r\n\r\n<div><i>Bottom line: A painting is worth what someone is willing to pay for it</i>. That said, the value assigned to a painting is generally based on a calculus of several variables with two factors perhaps the most influential: recent sales prices and expected future demand.</div> \r\n\r\n<div>Auction houses represent an easy opportunity to evaluate recent sales prices. Visit an auction house’s website and find their link to “Past Auctions.” From there you can evaluate recent “gavel prices,” which does not include the auctioneer’s premium or taxes. The premium is the auctioneer’s sales commission, ranging from 20% to 28%. Then add 7.5% taxes for state and local taxes (which vary by geography, of course).</div>\r\n\r\n<div>Example: I “won” a Sam Newton painting at auction for $2,400. I ended up paying $3,096. The auctioneer’s 20% premium added $480. Taxes of 7.5% added $216.</div>\r\n\r\n<div>What is the market value? Despite a gavel price (winning bid) of $2,400, the painting is “worth” (to me) $3,096. </div>\r\n\r\n<div>In the example above, my experience and data analysis prior to the auction aligned with the auctioneer’s estimated or projected price which appears on the website. It seemed reasonable to expect the market value of the painting to fall between $2,000 and $4,000. That is a big range against which a painting can fall short or greatly exceed.</div> \r\n\r\n<div>Calculations of “market value” can be influenced by several factors:</div>\r\n<ol>\r\n<li><div><u>The Artist</u></div>\r\n<ol type=\'A\'>\r\n    <li><div> <i>Demand & Supply.</i> Although there is no certainty about the number of Highwaymen paintings produced (estimates have ranged from 200,000 or more), readers exposed to the economic theory of supply and demand should recognize the impact that perceived scarcity—and other mental gymnastics—can have on prices.</div>\r\n\r\n<div>Livingston Roberts passed in 2004. Compared to the few remaining Highwaymen still painting, supply of his work is clearly limited. However, the “living or dead” criterion is but one factor. Another may be the length of time the artist painted, such as Poncho Moran who stopped painting early to follow the allure of being a professional gambler. As a result, the price of his paintings can rival Harold Newton but not from the perspective of artistry.</div></li> \r\n\r\n    <li><div><i>Demonstration of talent.</i> Not every painting reflects the artist’s best effort. The Highwaymen story is multidimensional, including the practical role of making money for the artists. The more they painted, the more they made. Paintings that are viewed as representing the artist’s full capabilities will command higher prices that may have been produced in a hurry to capture the opportunity represented by immediate demand from the tourist traffic during season.</div></li> \r\n\r\n    <li> <div><i>Style.</i> Very similar to “demonstration of talent,” prices for Harold Newton’s paintings reflect, to a great degree, the degree of complexity and mastery demonstrated in his paintings. His work now typically requires investments of $10,000 or more. In contrast, Rodney Demps’ style is just now breaking the $1,000 threshold for exceptional pieces and less than $750 for direct purchases his more traditional work. Demps’ style, which might earn him the moniker “Dali of the Highwaymen,” appears at times crude in contrast to Harold Newton’s realism. Critics may conclude Demps had less talent than Harold Newton while fans may prefer to conclude that he simply saw Florida through a very different lens and it translated accordingly through his paintings. </div></li>\r\n\r\n<li><div><u>Scene.</u> Paintings featuring poincianas might be considered the quintessential Highwaymen scene. After several hundred, you start to see the common themes featured across all 26 painters: Rio Mar, River Road, River Inlets, etc. Within a painter’s portfolio, there will be scenes that are featured more than others. For example, Al Black’s work features three birds in flight for the Trinity (although older pieces do not seem bound by this trademark element). Willie Daniels has produced many river/inlet scenes, each with skeletal dock pilings emerging from the shore. Demand for a scene that diverges from those typically associated with an artist often command higher prices. A Willie Daniels piece that features other components, such as a building or person, can be attractive to collectors looking for variation it creates.</div></li>\r\n\r\n<li><div><u>Size.</u> Jumbo or larger pieces (e.g., 24 x 48) command more than smaller pieces (e.g., 16 x 20) generally as the greater space tends to impact the complexity of the work and featured scenes depicted.</div> \r\n\r\n<div>One Florida Highwaymen collector has speculated value (sales price) using a standard calculation based on the surface area of the painting. Example: a 16 x 20 painting by Harold Newton would have a surface area of 320 square inches. At a calculated value per square inch of $17.00, the painting would be worth $5,440. Such an approach as this, of course, would need to reflect trends in sales over time to adjust the “value per square inch” and take into consideration the subjective factors addressed elsewhere in this guide.</div> </li>\r\n\r\n<li><div><u>Medium.</u> The quintessential media associated with Highwaymen paintings are Upson and Masonite board found on construction sites and the local lumber yard. In fact, painting on Upson is considered by expert Kathleen Piowaty Fredrick to be a criterion for inclusion as an Original Highwaymen. Those artists painting in the same style today missed the necessity of Upson and Masonite. Canvas had long been a luxury; as a result, canvas tends to signal the difference between “early” and “later” paintings by the same artist.</div></li>\r\n\r\n<li><div><u>Timing.</u> If buying at auction, note that the prices appear to soften during June – August when the Snowbirds (Northern residents who flock to Florida for the winter) return home. The premise is that the drop in high-tier (read: money) demand softens bidding at auctions; and otherwise puts on hold the buying from local galleries or individuals. My theory suggests that supply then builds up until the late fall return of buyers and the corresponding increase in the frequency of auctions creates the perceived scarcity in March and April. Surely somebody can check me on that.</div>\r\n\r\n<div>Another timing dynamic is consistent with any the first rule of negotiation: The side that can live with the answer being “no” has the upper hand: Buyers in a hurry to secure a painting tend to negotiate less and pay more; and sellers in no hurry to part with a piece tend to be better at resisting low offers.</div>\r\n</li>\r\n<li><div><u>Source.</u> Although the tide is turning, few are the buyers willing to spend $4,000 or more without personally laying eyes on the painting. This has a general effect of chilling overall demand. Exceptions include transactions from trusted sources, such as the auction houses in Vero Beach and elsewhere in Florida, or sellers with whom a track record of quality are established or willingness to accept returns, which is a recommended criterion for purchasing a painting on eBay.</div>\r\n\r\n<div>Galleries tend to demand higher prices than private sellers or dealers with costs such as rent, staff, and utilities. It is not uncommon to see a painting purchased at auction for $2,250 offered weeks later at a gallery for $4,750. Dealers operating out of their homes, vehicles, or eBay often provide opportunity to save money, but the risk can be greater than a gallery with a brick-and-mortar presence with greater exposure to reputation damage if a customer isn’t happy. Finally, private sellers represent the best opportunity for the best pricing. It’s almost too rare to mention now but finding a Highwaymen painting at a thrift store or neighborhood garage sale is not entirely out of the question. A significant source of supply comes from family members who find themselves needing to find homes for pieces from a deceased loved one’s collection. These sellers are highly coveted by auction houses, dealers, and direct buyers alike. </div>\r\n</li>\r\n\r\n<li><div><u>Motivation.</u> Investors willingness to pay differs from collectors with even greater variation seen among enthusiasts. Investors are motivated to maximize the return on investment--buy low(er), sell high(er). Investors will be more aware of demand and trends in prices with limits tied to the likelihood of getting the targeted profit margin at resale.</div>\r\n\r\n<div>Collectors may be in the market to feed their obsession or complement their existing portfolio with work from a missing artist. 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The Florida Highwaymen experience will change with it, and the landscape described in this guide will need to reflect adaptations.</div> ', 'Latest Blog', 'In melanie bonajo’s Dutch Pavilion, Naked Bodies Touch, Writhe, and Heal at the Venice Biennale', 'inherit', 'closed', 'closed', '', '190-revision-v1', '', '', '2022-07-13 07:39:13', '2022-07-13 07:39:13', '', 190, 'https://wp.localserverweb.com/thc/?p=340', 0, 'revision', '', 0),
(341, 1, '2022-07-13 07:47:05', '2022-07-13 07:47:05', '<div style=\"color:red;margin-bottom:5px;\">This blog has been written and contributed by <strong>Dale A. Brill, Ph.D. (Group founder and administrator of the facebook group:  Florida Highwaymen)</strong>. It is with great appreciation to Dale Brill that we use this work as the inaugural blog in the launch of this website.</div>\r\n<div style=\"color:white\">\r\n<div style=\"margin-bottom:5px;\">With the growth of Florida Highwaymen enthusiasts showing no signs of slowing, a guide to the landscape of the journey seems worthwhile. It is offered with the hope of generating contributions from others with different and deeper insights—even contradiction. This chapter, like the others, is a <i>work-in-progress</i> to be improved by the comments and adaptations driven by changes in the natural evolution of the Florida Highwaymen experience.</div>\r\n\r\n<div style=\"margin-bottom:5px;\">Consider this just one perspective among many possible takes. Word choice throughout the guide attempts to remind readers of the uniqueness of every Highwaymen painting acquisition. The use of “may,” “tend to,” and “often” signal generalizations not rules. Without exception, every interaction is different. Yours will be, too.</div>\r\n\r\n<h3>“MARKET VALUE AND PRICES”</h3>\r\n\r\n<div><i>Bottom line: A painting is worth what someone is willing to pay for it</i>. That said, the value assigned to a painting is generally based on a calculus of several variables with two factors perhaps the most influential: recent sales prices and expected future demand.</div> \r\n\r\n<div>Auction houses represent an easy opportunity to evaluate recent sales prices. Visit an auction house’s website and find their link to “Past Auctions.” From there you can evaluate recent “gavel prices,” which does not include the auctioneer’s premium or taxes. The premium is the auctioneer’s sales commission, ranging from 20% to 28%. Then add 7.5% taxes for state and local taxes (which vary by geography, of course).</div>\r\n\r\n<div>Example: I “won” a Sam Newton painting at auction for $2,400. I ended up paying $3,096. The auctioneer’s 20% premium added $480. Taxes of 7.5% added $216.</div>\r\n\r\n<div>What is the market value? Despite a gavel price (winning bid) of $2,400, the painting is “worth” (to me) $3,096. </div>\r\n\r\n<div>In the example above, my experience and data analysis prior to the auction aligned with the auctioneer’s estimated or projected price which appears on the website. It seemed reasonable to expect the market value of the painting to fall between $2,000 and $4,000. That is a big range against which a painting can fall short or greatly exceed.</div> \r\n\r\n<div>Calculations of “market value” can be influenced by several factors:</div>\r\n<ol>\r\n<li><div><u>The Artist</u></div>\r\n<ol type=\'A\'>\r\n    <li><div> <i>Demand & Supply.</i> Although there is no certainty about the number of Highwaymen paintings produced (estimates have ranged from 200,000 or more), readers exposed to the economic theory of supply and demand should recognize the impact that perceived scarcity—and other mental gymnastics—can have on prices.</div>\r\n\r\n<div>Livingston Roberts passed in 2004. Compared to the few remaining Highwaymen still painting, supply of his work is clearly limited. However, the “living or dead” criterion is but one factor. Another may be the length of time the artist painted, such as Poncho Moran who stopped painting early to follow the allure of being a professional gambler. As a result, the price of his paintings can rival Harold Newton but not from the perspective of artistry.</div></li> \r\n\r\n    <li><div><i>Demonstration of talent.</i> Not every painting reflects the artist’s best effort. The Highwaymen story is multidimensional, including the practical role of making money for the artists. The more they painted, the more they made. Paintings that are viewed as representing the artist’s full capabilities will command higher prices that may have been produced in a hurry to capture the opportunity represented by immediate demand from the tourist traffic during season.</div></li> \r\n\r\n    <li> <div><i>Style.</i> Very similar to “demonstration of talent,” prices for Harold Newton’s paintings reflect, to a great degree, the degree of complexity and mastery demonstrated in his paintings. His work now typically requires investments of $10,000 or more. In contrast, Rodney Demps’ style is just now breaking the $1,000 threshold for exceptional pieces and less than $750 for direct purchases his more traditional work. Demps’ style, which might earn him the moniker “Dali of the Highwaymen,” appears at times crude in contrast to Harold Newton’s realism. Critics may conclude Demps had less talent than Harold Newton while fans may prefer to conclude that he simply saw Florida through a very different lens and it translated accordingly through his paintings. </div></li>\r\n\r\n<li><div><u>Scene.</u> Paintings featuring poincianas might be considered the quintessential Highwaymen scene. After several hundred, you start to see the common themes featured across all 26 painters: Rio Mar, River Road, River Inlets, etc. Within a painter’s portfolio, there will be scenes that are featured more than others. For example, Al Black’s work features three birds in flight for the Trinity (although older pieces do not seem bound by this trademark element). Willie Daniels has produced many river/inlet scenes, each with skeletal dock pilings emerging from the shore. Demand for a scene that diverges from those typically associated with an artist often command higher prices. A Willie Daniels piece that features other components, such as a building or person, can be attractive to collectors looking for variation it creates.</div></li>\r\n\r\n<li><div><u>Size.</u> Jumbo or larger pieces (e.g., 24 x 48) command more than smaller pieces (e.g., 16 x 20) generally as the greater space tends to impact the complexity of the work and featured scenes depicted.</div> \r\n\r\n<div>One Florida Highwaymen collector has speculated value (sales price) using a standard calculation based on the surface area of the painting. Example: a 16 x 20 painting by Harold Newton would have a surface area of 320 square inches. At a calculated value per square inch of $17.00, the painting would be worth $5,440. Such an approach as this, of course, would need to reflect trends in sales over time to adjust the “value per square inch” and take into consideration the subjective factors addressed elsewhere in this guide.</div> </li>\r\n\r\n<li><div><u>Medium.</u> The quintessential media associated with Highwaymen paintings are Upson and Masonite board found on construction sites and the local lumber yard. In fact, painting on Upson is considered by expert Kathleen Piowaty Fredrick to be a criterion for inclusion as an Original Highwaymen. Those artists painting in the same style today missed the necessity of Upson and Masonite. Canvas had long been a luxury; as a result, canvas tends to signal the difference between “early” and “later” paintings by the same artist.</div></li>\r\n\r\n<li><div><u>Timing.</u> If buying at auction, note that the prices appear to soften during June – August when the Snowbirds (Northern residents who flock to Florida for the winter) return home. The premise is that the drop in high-tier (read: money) demand softens bidding at auctions; and otherwise puts on hold the buying from local galleries or individuals. My theory suggests that supply then builds up until the late fall return of buyers and the corresponding increase in the frequency of auctions creates the perceived scarcity in March and April. Surely somebody can check me on that.</div>\r\n\r\n<div>Another timing dynamic is consistent with any the first rule of negotiation: The side that can live with the answer being “no” has the upper hand: Buyers in a hurry to secure a painting tend to negotiate less and pay more; and sellers in no hurry to part with a piece tend to be better at resisting low offers.</div>\r\n</li>\r\n<li><div><u>Source.</u> Although the tide is turning, few are the buyers willing to spend $4,000 or more without personally laying eyes on the painting. This has a general effect of chilling overall demand. Exceptions include transactions from trusted sources, such as the auction houses in Vero Beach and elsewhere in Florida, or sellers with whom a track record of quality are established or willingness to accept returns, which is a recommended criterion for purchasing a painting on eBay.</div>\r\n\r\n<div>Galleries tend to demand higher prices than private sellers or dealers with costs such as rent, staff, and utilities. It is not uncommon to see a painting purchased at auction for $2,250 offered weeks later at a gallery for $4,750. Dealers operating out of their homes, vehicles, or eBay often provide opportunity to save money, but the risk can be greater than a gallery with a brick-and-mortar presence with greater exposure to reputation damage if a customer isn’t happy. Finally, private sellers represent the best opportunity for the best pricing. It’s almost too rare to mention now but finding a Highwaymen painting at a thrift store or neighborhood garage sale is not entirely out of the question. A significant source of supply comes from family members who find themselves needing to find homes for pieces from a deceased loved one’s collection. These sellers are highly coveted by auction houses, dealers, and direct buyers alike. </div>\r\n</li>\r\n\r\n<li><div><u>Motivation.</u> Investors willingness to pay differs from collectors with even greater variation seen among enthusiasts. Investors are motivated to maximize the return on investment--buy low(er), sell high(er). Investors will be more aware of demand and trends in prices with limits tied to the likelihood of getting the targeted profit margin at resale.</div>\r\n\r\n<div>Collectors may be in the market to feed their obsession or complement their existing portfolio with work from a missing artist. A unique scene or prevalence of a coveted technique combined with enough disposable income can blow the expected price range out of the water, especially when two collectors are locked on the same piece.</div> \r\n\r\n<div>Enthusiasts tend to buy what they love with an eye on the budget. While a jumbo Harold Newton may be out of reach, a smaller piece by another artist becomes a family treasure and conversation piece for years to come.</div>\r\n</li>\r\n</ol>\r\n<div>All things evolve. Fluctuations in the economy and disruption created by technology integration, such as virtual reality and the metaverse, will surely push the artworld across new horizons. The Florida Highwaymen experience will change with it, and the landscape described in this guide will need to reflect adaptations.</div> \r\n</div>', 'Latest Blog', 'In melanie bonajo’s Dutch Pavilion, Naked Bodies Touch, Writhe, and Heal at the Venice Biennale', 'inherit', 'closed', 'closed', '', '190-revision-v1', '', '', '2022-07-13 07:47:05', '2022-07-13 07:47:05', '', 190, 'https://wp.localserverweb.com/thc/?p=341', 0, 'revision', '', 0),
(342, 1, '2022-07-13 07:47:57', '2022-07-13 07:47:57', '<div style=\"color:red;margin-bottom:5px;\">This blog has been written and contributed by <strong>Dale A. Brill, Ph.D. (Group founder and administrator of the facebook group:  Florida Highwaymen)</strong>. It is with great appreciation to Dale Brill that we use this work as the inaugural blog in the launch of this website.</div>\r\n<div style=\"color:white;text-align:justify\">\r\n<div style=\"margin-bottom:5px;\">With the growth of Florida Highwaymen enthusiasts showing no signs of slowing, a guide to the landscape of the journey seems worthwhile. It is offered with the hope of generating contributions from others with different and deeper insights—even contradiction. This chapter, like the others, is a <i>work-in-progress</i> to be improved by the comments and adaptations driven by changes in the natural evolution of the Florida Highwaymen experience.</div>\r\n\r\n<div style=\"margin-bottom:5px;\">Consider this just one perspective among many possible takes. Word choice throughout the guide attempts to remind readers of the uniqueness of every Highwaymen painting acquisition. The use of “may,” “tend to,” and “often” signal generalizations not rules. Without exception, every interaction is different. Yours will be, too.</div>\r\n\r\n<h3>“MARKET VALUE AND PRICES”</h3>\r\n\r\n<div><i>Bottom line: A painting is worth what someone is willing to pay for it</i>. That said, the value assigned to a painting is generally based on a calculus of several variables with two factors perhaps the most influential: recent sales prices and expected future demand.</div> \r\n\r\n<div>Auction houses represent an easy opportunity to evaluate recent sales prices. Visit an auction house’s website and find their link to “Past Auctions.” From there you can evaluate recent “gavel prices,” which does not include the auctioneer’s premium or taxes. The premium is the auctioneer’s sales commission, ranging from 20% to 28%. Then add 7.5% taxes for state and local taxes (which vary by geography, of course).</div>\r\n\r\n<div>Example: I “won” a Sam Newton painting at auction for $2,400. I ended up paying $3,096. The auctioneer’s 20% premium added $480. Taxes of 7.5% added $216.</div>\r\n\r\n<div>What is the market value? Despite a gavel price (winning bid) of $2,400, the painting is “worth” (to me) $3,096. </div>\r\n\r\n<div>In the example above, my experience and data analysis prior to the auction aligned with the auctioneer’s estimated or projected price which appears on the website. It seemed reasonable to expect the market value of the painting to fall between $2,000 and $4,000. That is a big range against which a painting can fall short or greatly exceed.</div> \r\n\r\n<div>Calculations of “market value” can be influenced by several factors:</div>\r\n<ol>\r\n<li><div><u>The Artist</u></div>\r\n<ol type=\'A\'>\r\n    <li><div> <i>Demand & Supply.</i> Although there is no certainty about the number of Highwaymen paintings produced (estimates have ranged from 200,000 or more), readers exposed to the economic theory of supply and demand should recognize the impact that perceived scarcity—and other mental gymnastics—can have on prices.</div>\r\n\r\n<div>Livingston Roberts passed in 2004. Compared to the few remaining Highwaymen still painting, supply of his work is clearly limited. However, the “living or dead” criterion is but one factor. Another may be the length of time the artist painted, such as Poncho Moran who stopped painting early to follow the allure of being a professional gambler. As a result, the price of his paintings can rival Harold Newton but not from the perspective of artistry.</div></li> \r\n\r\n    <li><div><i>Demonstration of talent.</i> Not every painting reflects the artist’s best effort. The Highwaymen story is multidimensional, including the practical role of making money for the artists. The more they painted, the more they made. Paintings that are viewed as representing the artist’s full capabilities will command higher prices that may have been produced in a hurry to capture the opportunity represented by immediate demand from the tourist traffic during season.</div></li> \r\n\r\n    <li> <div><i>Style.</i> Very similar to “demonstration of talent,” prices for Harold Newton’s paintings reflect, to a great degree, the degree of complexity and mastery demonstrated in his paintings. His work now typically requires investments of $10,000 or more. In contrast, Rodney Demps’ style is just now breaking the $1,000 threshold for exceptional pieces and less than $750 for direct purchases his more traditional work. Demps’ style, which might earn him the moniker “Dali of the Highwaymen,” appears at times crude in contrast to Harold Newton’s realism. Critics may conclude Demps had less talent than Harold Newton while fans may prefer to conclude that he simply saw Florida through a very different lens and it translated accordingly through his paintings. </div></li>\r\n\r\n<li><div><u>Scene.</u> Paintings featuring poincianas might be considered the quintessential Highwaymen scene. After several hundred, you start to see the common themes featured across all 26 painters: Rio Mar, River Road, River Inlets, etc. Within a painter’s portfolio, there will be scenes that are featured more than others. For example, Al Black’s work features three birds in flight for the Trinity (although older pieces do not seem bound by this trademark element). Willie Daniels has produced many river/inlet scenes, each with skeletal dock pilings emerging from the shore. Demand for a scene that diverges from those typically associated with an artist often command higher prices. A Willie Daniels piece that features other components, such as a building or person, can be attractive to collectors looking for variation it creates.</div></li>\r\n\r\n<li><div><u>Size.</u> Jumbo or larger pieces (e.g., 24 x 48) command more than smaller pieces (e.g., 16 x 20) generally as the greater space tends to impact the complexity of the work and featured scenes depicted.</div> \r\n\r\n<div>One Florida Highwaymen collector has speculated value (sales price) using a standard calculation based on the surface area of the painting. Example: a 16 x 20 painting by Harold Newton would have a surface area of 320 square inches. At a calculated value per square inch of $17.00, the painting would be worth $5,440. Such an approach as this, of course, would need to reflect trends in sales over time to adjust the “value per square inch” and take into consideration the subjective factors addressed elsewhere in this guide.</div> </li>\r\n\r\n<li><div><u>Medium.</u> The quintessential media associated with Highwaymen paintings are Upson and Masonite board found on construction sites and the local lumber yard. In fact, painting on Upson is considered by expert Kathleen Piowaty Fredrick to be a criterion for inclusion as an Original Highwaymen. Those artists painting in the same style today missed the necessity of Upson and Masonite. Canvas had long been a luxury; as a result, canvas tends to signal the difference between “early” and “later” paintings by the same artist.</div></li>\r\n\r\n<li><div><u>Timing.</u> If buying at auction, note that the prices appear to soften during June – August when the Snowbirds (Northern residents who flock to Florida for the winter) return home. The premise is that the drop in high-tier (read: money) demand softens bidding at auctions; and otherwise puts on hold the buying from local galleries or individuals. My theory suggests that supply then builds up until the late fall return of buyers and the corresponding increase in the frequency of auctions creates the perceived scarcity in March and April. Surely somebody can check me on that.</div>\r\n\r\n<div>Another timing dynamic is consistent with any the first rule of negotiation: The side that can live with the answer being “no” has the upper hand: Buyers in a hurry to secure a painting tend to negotiate less and pay more; and sellers in no hurry to part with a piece tend to be better at resisting low offers.</div>\r\n</li>\r\n<li><div><u>Source.</u> Although the tide is turning, few are the buyers willing to spend $4,000 or more without personally laying eyes on the painting. This has a general effect of chilling overall demand. Exceptions include transactions from trusted sources, such as the auction houses in Vero Beach and elsewhere in Florida, or sellers with whom a track record of quality are established or willingness to accept returns, which is a recommended criterion for purchasing a painting on eBay.</div>\r\n\r\n<div>Galleries tend to demand higher prices than private sellers or dealers with costs such as rent, staff, and utilities. It is not uncommon to see a painting purchased at auction for $2,250 offered weeks later at a gallery for $4,750. Dealers operating out of their homes, vehicles, or eBay often provide opportunity to save money, but the risk can be greater than a gallery with a brick-and-mortar presence with greater exposure to reputation damage if a customer isn’t happy. Finally, private sellers represent the best opportunity for the best pricing. It’s almost too rare to mention now but finding a Highwaymen painting at a thrift store or neighborhood garage sale is not entirely out of the question. A significant source of supply comes from family members who find themselves needing to find homes for pieces from a deceased loved one’s collection. These sellers are highly coveted by auction houses, dealers, and direct buyers alike. </div>\r\n</li>\r\n\r\n<li><div><u>Motivation.</u> Investors willingness to pay differs from collectors with even greater variation seen among enthusiasts. Investors are motivated to maximize the return on investment--buy low(er), sell high(er). Investors will be more aware of demand and trends in prices with limits tied to the likelihood of getting the targeted profit margin at resale.</div>\r\n\r\n<div>Collectors may be in the market to feed their obsession or complement their existing portfolio with work from a missing artist. A unique scene or prevalence of a coveted technique combined with enough disposable income can blow the expected price range out of the water, especially when two collectors are locked on the same piece.</div> \r\n\r\n<div>Enthusiasts tend to buy what they love with an eye on the budget. While a jumbo Harold Newton may be out of reach, a smaller piece by another artist becomes a family treasure and conversation piece for years to come.</div>\r\n</li>\r\n</ol>\r\n<div>All things evolve. Fluctuations in the economy and disruption created by technology integration, such as virtual reality and the metaverse, will surely push the artworld across new horizons. The Florida Highwaymen experience will change with it, and the landscape described in this guide will need to reflect adaptations.</div> \r\n</div>', 'Latest Blog', 'In melanie bonajo’s Dutch Pavilion, Naked Bodies Touch, Writhe, and Heal at the Venice Biennale', 'inherit', 'closed', 'closed', '', '190-revision-v1', '', '', '2022-07-13 07:47:57', '2022-07-13 07:47:57', '', 190, 'https://wp.localserverweb.com/thc/?p=342', 0, 'revision', '', 0);
